The Georgian style (see Old Colonial Georgian)
was the basis for most architecture in Australia from the time of the first
European settlements until at least the middle of the nineteenth century.
The style was adopted by the designers of public buildings, of houses for
all classes of society, and of utilitarian structures. In New South Wales
and Tasmania the style had become entrenched by the start of the Victorian
period, and even the economic depression of the early 18405 did not bring
about its demise.
Brisbane was founded in 1825, Perth in 1829, Melbourne in 1835 and Adelaide
in 1836. Early buildings in these cities made use of the Georgian and
Regency styles, but, with no long-standing local tradition, more up-to-date
idioms soon took over.
The Victorian Georgian style was an extension of Old Colonial Georgian, and
it continued to emphasise unforced symmetry, a gentle sense of harmony and
‘reasonable’ proportions. While these general characteristics flowed through
into the second half of the nineteenth century, changes also appeared as a
result of the development of more sophisticated materials and techniques.
Bricks were of better quality and were laid more accurately. The roofing
slate replaced the less durable and more flammable timber shingle.
Corrugated iron rapidly won acceptance as a roofing material on buildings of
every class, especially in localities where transportability and ease of
erection were important. Although it had no ‘respectable’ stylistic
ancestry, the corrugated-iron bull- nosed veranda roof became a feature of
many Victorian Georgian buildings: it was often painted in wide stripes of
alternating colours, this motif being derived from the canvas awnings used
in Britain at the turn of the eighteenth century. The introduction of
machine tools for the shaping of timber joinery components led to the
production of turned posts, balusters and decorative features which
nevertheless retained a classical feeling. Glass was now available in larger
panes, and the twelve-pane window of the Old Colonial period gradually gave
way to the window in which each sash was either divided into two panes or
was glazed with a single sheet of glass.
Even when Georgian as a contrived style was supplanted by more ornate styles
in the later decades of the Victorian period, the idiom continued to provide
a background influence on many vernacular buildings.