By the end of the nineteenth century the days of glory had passed for the
Gothic Revival, but the movement was not yet dead. In Britain, John
Loughborough Pearson’s largest work, Truro Cathedral in Cornwall, was not
finished until 1910. And in 1903 the conditions for a competition to design
a new Anglican cathedral in Liverpool strongly suggested that a medieval
style would be most suitable. Giles Gilbert Scott won the competition with a
powerful English Gothic design, and his great building, its design
constantly developed and modified as the work proceeded, was only
substantially completed by the time of the architect’s death in 1960. Even
so, by the 189os most of the spirit which had imbued the Gothic Revival in
its palmy days had flowed into the humbler, less archaeologically oriented
Arts and Crafts movement (see FEDERATION ARTS AND CRAFTs).
Most Australian cities and towns had built (or at least had begun building)
their cathedrals and major churches in the VICTORIAN ACADEMIC GOTHIC style
before the advent of the depression of the 189os. Although the construction
of such a major edifice as J. L. Pearson’s Brisbane Cathedral was not
started until 1901, there was, after the depression, a somewhat diminished
need for ecclesiastical buildings. By the turn of the century it was clear
that a building in a style that required reproduction or imitation of the
wondrous complexities of medieval architecture was likely to be too
expensive, to take too long to build, and to need craftsmanship of an order
no longer readily available.
When the flavour of the Middle Ages was sought but resources were limited,
architects often turned to less ‘correct’, more flexible and cheaper
adaptations of the Gothic style. Simple brickwork with stucco dressings
often took the place of expensive, dressed stone. But, even allowing for
economic and social change, Federation Gothic was essentially a flow-on from
the VICTORIAN ACADEMIC GOTHIC and VICTORIAN FREE GOTHIC styles.
Suspension Bridge, Cammeray to Norlhbridge, NSW.J. E. F. Coyle, engineer,
1892. Medieval nwt!fs are unexpected embellishments on these Federation
towers, built for suspension cable supports.
Church of Our Lady of Perpetual Succour, Swanston Street, Erskineville, NSW.
J. McCarthy, architect, 1912. An uninhibited reinterpretation of the Gothic
style.