Undoubtedly the most admired and influential
American architect to practise in the second half of the nineteenth century
was Henry Hobson Richardson. Trained at L’Ecole des Beaux-Arts in Paris and
influenced by the early medieval architecture of southern France and Spain,
Richardson evolved his own simplified distillation of the Romanesque style
in the early 187os and attracted a host of American disciples in the
following decades. The Richardson-derived Romanesque style gained its
strength more from its general qualities of simplicity and weighty
robustness than from its fairly restrained use of early medieval motif. It
was essentially a masonry style, featuring massive walls of squared,
rock-faced stone blocks. The round-headed arch was used over openings; the
entrance to a building was often defined by a big single arch with very
large voussoirs. Ornament, when used, was chunky and strong.
It must be admitted that the thick walls and small windows associated with
Romanesque architecture were not ideally suited to the temperate climate of
most Australian cities. The Richardsonian Romanesque style undoubtedly had a
strong influence on the design of many Australian warehouses and wool stores
at the turn of the century (see FEDERATION WAREHOUSE), but the fully
developed style made relatively small inroads in this country into the
territory firmly held by the long-established Gothic. Nevertheless, the
strong association in people’s minds between early European medieval
architecture and the Christian church resulted in the occasional use of the
Romanesque style for turn-of-the-century churches.
It was almost by chance that the Queen Victoria Building in Sydney became
one of the major monuments of the Federation Romanesque style. The
architect, George McRae, provided the city fathers with designs in three
other styles as well as in the rather Venetian brand of Romanesque finally
selected. Atypically, the QVB was built of smooth-faced sandstone rather
than the rugged, rock-faced stonework usually featured in this style.
Sociéte Generale (former Equitable) Building, George Street, Sydney, NSW.
Edward Raht, architect, c. 1892. An early example of the influence of
American Romanesque.
Former Bank of New South Wales (now Westpac), Broadway, Chippendale, NSW.
Varney Parkes, architect, from 1894. A carefully exuberant ensemble of round
arches and clustered piers.
Our Lady of the Victories
Basilica. Camberwell, Victoria. Completed in 1918.
Melbourne Magistrates' Court.
Corner of La Trobe and Russell Streets, Melbourne. Completed in 1914
Swanston and Flinders St
intersection 1927
In 1882 the government decided to
build a new central passenger station to replace the existing ad-hoc
construction. A world-wide design competition was held in 1899, with 17
entries received. The £500 first prize went to railway employees J. W.
Fawcett and H. P. C. Ashworth, whose design included a giant dome and clock
tower. Work began in 1901 and ended in 1910.
Rumours persist that the design for Flinders Street Station was originally
designated for Chhatrapati Shivaji Terminus in Mumbai (Victoria Terminus
Bombay), India. However, no convincing evidence, other than architectural
similarities to other buildings in their respective cities, has been
produced to support the rumour.