Hughes, J. Demolished! insites, newsletter of the Historic Houses Trust
of NSW Winter 1999
Take any one of the major roads out of the city north, south, east or
west a block of home units or a row of town houses usually signals the
site of a demolished house thousands of houses have gone.
How many more single cottages, streets of houses, even whole suburbs
have been buried or mutilated by freeways or swept away by the tide of
demolition to meet the growing demands of education, commerce and
industry?
The exhibition Demolished Houses of Sydney takes you on a journey along
these major roads to the extremities of our great metropolis with the
occasional side trip or two and through a representative sample of
Sydney's demolished houses shows what has gone and why. Not all of them
will be missed.
The houses ranging from humble to grand were built between 1788 and
1968 and demolished from 1845 to 1998. A number were the work of well
known architects such as Francis Creenway, John Verge, Edmund Blacket,
Walter Burley Griffin, J. Horbury Hunt, F. Clynn Gilling, C. Bruce
Dellit, Harry Seidler and Ken Woolley. Others were typical of a type or
style and as such represent similar losses from other suburbs. There are
others of no architectural distinction, but were of historical or social
significance to their local communities.
Of the eponymous houses those that named the suburb gone are
Annandale, Brookvale House, Cherrybrook, Drummoyne House, Ermington
Park, Fairfield, Ingleburn, Lakemba, Leppington, Redfern Lodge,
Strathfield House, Waverley House and Waverton and the list goes on...
Photographs of the houses have been gathered from public and private
collections. Foremost are those of the Mitchell Library, State Library
of New South Wales, the Royal Australian Historical Society and the
National Trust of Australia (NSW). The substantial number from local
studies collections of local government libraries and from local
historical societies reflects the increasing importance as pictorial
sources. The Historic Houses Trust's Resource Centre has provided
photographs reproduced from a collection of negatives donated by Barry
Wollaston; a series of Brooksby, Double Bay by Harold Cazneaux, and
those by Charles Bayliss of the magnificent ballroom at Chatsworth,
Potts Point, decorated by Augusto Lorenzini, whose collection of
original designs and sketches is a recent Trust acquisition.
The photographs span almost 150 years: from those of the 1850s of
Drummoyne House by Professor John Smith to the series of Breffni at
Warrawee in 1997, requisite to its demolition approval. Others range
from fuzzy indistinct prints, the only ones known for some significant
houses, to masterpieces by Cazneaux and Dupain. For some houses
initially selected or recommended for inclusion in the exhibition no
photographs could be found. Surprisingly, not all were 19th century
houses. Some were built as late as the mid-20th century survived for
only twenty or thirty years and now gone, without a visual record of
their existence.
A significant proportion of the houses in the current exhibition formed
the Sydney component of Demolished Houses of New South Wales, an
exhibition curated by James Broadbent and Joy Hughes, mounted at
Elizabeth Bay House in 1988. It was an exhibition that evoked varied
responses: enjoyment of the comprehensive collection of photographs
drawn from the major cultural institutions, and sadness even depression
that they depicted such an extensive loss of our built heritage. But
overriding those emotions was a sense of optimism, that now with more
stringent legislation, with significant buildings protected by their
listings in local environmental plans, with the bicentenary heightening
awareness of our heritage, that widespread demolition was a thing of the
past, that the 1960s swathe of destruction could never be repeated.
Ten years later that optimism has gone, replaced by cynicism and a
feeling of powerlessness in the community to preserve the character of
its suburbs not just the preservation of its heritage buildings, not
just a limit on high-rise units or spread of town houses, but the
retention of its streetscapes and vistas.
In almost every suburb, unified or picturesque streetscapes of modest
houses are now being disfigured in the construction of monolithic
residences out of scale with their surroundings, overcrowding,
overlooking and overshadowing their neighbours. And to some degree, and
only in parts of Sydney, the powerlessness to preserve the character of
suburbs is stated by local government authorities, which reject
development proposals that blatantly exceed the current building
regulations, but through lack of funds are unable to fight the appeal
taken to the Land and Environment Court.
Included in the Historic Houses Trust's portfolio are properties saved
from demolition. The Green Bans imposed on The Rocks by the NSW Builders
Labourers' Federation in 1973 in support of The Rocks Residents Group,
prevented the whole sale demolition of the area by the Sydney Cove
Redevelopment Authority. Susannah Place was saved although three of the
terrace's houses, left vacant for the next eleven years, suffered major
damage through lack of proper maintenance.
Lyndhurst at Glebe, the Trust's present headquarters was one of
thousands of houses marked for demolition for an expressway through the
inner western suburbs in the early 1970s. The 'Save Lyndhurst Committee'
campaigned for an alternate route and for the restoration of the house.
The election of the Wran Labor Government in 1976 and its decision to
abandon the expressway ultimately saved the house. And Hyde Park
Barracks, the venue for the Demolished Houses of Sydney exhibition
narrowly missed demolition in the late 1920s when a proposal to erect a
new Anglican cathedral on the site fell from favour.