Elizabeth Bay House is one of the most sophisticated works of architecture of the early 19th century in New South Wales, once known as "the finest house in the colony". Elizabeth Bay House's incomplete state reflects the 1840s depression which devastated a class of prominent colonial civil servants, pastoralists and merchants. The house is significant for its association with the history of the intellectual life of NSW in the areas of scientific (natural history, particularly entomology, botany) and aesthetic endeavour through its association with three generations of Macleay family.
The layout of the former (c.54 acre/22 ha) Elizabeth Bay estate provided the structure of the modern suburb Elizabeth Bay. Its subdivision reflected the fate of 19th century villas in the inner eastern suburbs of Sydney. The siting of Elizabeth Bay House and surviving elements of Elizabeth Bay Estate provide rare examples of sophisticated Landscape design in early 19th century NSW. In its heyday the garden was known internationally through the letters and published accounts of local naturalists and visiting scientific expeditions, as a fine private botanic garden with picturesque features of dwarf stone walls, rustic bridges, and winding gravel walks, and a fine plant collection of choice and rare species, particularly bulbs.
The house has long been significant to the conservation movement in Australia. This is indicated by proposals to refurbish the house as a museum for the 1938 sesquicentenary of white settlement, Professor Leslie Wilkinson's ownership share in Elizabeth Bay Estates Limited (1926-1935), the acquisition of the property by the Cumberland County Council in 1963 for its historic significance and the 1972-76 restoration by Clive Lucas, one of the first modern, scholarly conservations in Australia (Historic Houses Trust 1997).
Elizabeth Bay House is a Greek Revival
villa with a centralised Palladian layout with two levels, two unconnected
cellar wings beneath the house and attic rooms under the roof. It is built
of soft Sydney sandstone with a protective coat of sand paint. There is a
square entrance vestibule leading into an oval, domed saloon around which
a cantilevered stair rises to an arcaded gallery. The Australian Cedar
joinery is finely moulded and finished simply with wax polish. The timber
floors throughout are Australian Blackbutt. There is an original, large
brass door lock on the front door.
The square entrance hall preludes the soaring space of the oval domed
saloon. The entablatures and fluted pilasters of the doorways, the
tapering grecian architraves and panelled reveal shutters of the windows
and the plaster cornice and frieze decorated with laurel wreaths.
The stairway is Marulan sandstone and built into the wall, resing on the
tread underneath. The cast iron bannisters are painted in imitation
bronze. Eleven carved stone brackets support the first floor balcony.
The portico is a light, single storeyed structure of iron and wood.
Verges attention to symmetry can be seen in the blind windows constructed
on the walls of both sides of the house.
Alexander Mcleay (1767-1848), public servant and entomologist, was born at
Wick, a fishing village in Ross-shire, Scotland. He moved to London int
1786, marrying Elizabeth Barclay there in 1791. Mcleay, who was employed
in the civil service (1795-1825) was well known in British and European
natural history circles, having amassed by 1805 one of the most
significant insect collections in Britain. He was elected a Fellow of the
Linnean Society of London in 1794 (Natural History Society commemorating
the great Swedish naturalist Carl Linnaeus, whose "Species Plantarum"
(1753) became the internationally accepted starting point for all
botanical nomenclature (binomial naming of plants by genus and species,
based on their sexual reproductive parts) and served as its secretary
(1798-1825). He was elected a Fellow of the Royal Society in 1809.
Botanist Robert Brown, Mcleay's close friend and suitor of his eldest
daughter Fanny, a competent botanical artist, named the plant genus
Macleaya in his honour.
In enforced retirement from 1817 when his department was abolished at the
end of the Napoleonic Wars, Mcleay's finances were stretched to support a
large family (10 of 17 children survived to adulthood), town and country
residences, and his obsessive collecting of insects. When assets had to be
sold upon the collapse of his brother's private bank in Wick, in which
Alexander was a partner, he began in 1824 to borrow heavily from his
eldest son, William.
Mcleay accepted the position of Colonial Secretary of NSW, arriving in
1826 and moving into the Colonial Secretary's house (fronting Macquarie
Place) with his wife Eliza, their six surviving daughters, an extensive
library, and an insect collection then "unparalleled in England"
for its size, range and number of type specimens (first to be named of a
species). Three of the four surviving sons came later to NSW, of whom two,
William and George - shared their father's natural history interests.
(From the early 1820s the spelling Macleay was adopted; descendents of
Alexander's brothers retained MacLeay or McLeay).
Soon after his arrival he was granted 54 acres (22ha) by Governor Darling
at Elizabeth Bay, with commanding views of Sydney Harbour. It was usual
practice for grants to be made to eminent citizens in the colony but
Macleay's grant generated some heated editorials in Sydney's newspapers.
It involved the alienation of public land, the former Aboriginal
settlement of Elizabeth Town, later earmarked for an asylum. In 1826
Macleay set about improving the site, using assigned convict labour. He
employed his horticultural expertise, assisted from the late 1820s by
gardener Robert Henderson, to establish a private botanic garden with
picturesque features of dwarf stone walls, rustic bridges, and winding
gravel walks. (Hughes, 2002)
In May 1831 The Sydney Gazette enthusiastically reported improvements at
Woolloomoolloo Hill (Potts Point) and Macleay's neighbouring estate at
Elizabeth Bay "5 years ago the coast immediately eastward of Sydney
was a mass of cold and hopeless sterility, which its stunted and unsightly
bushes seemed only to render the more palpable; it is now traversed by an
elegant carriage road and picturesque walks…That these rapid
improvements were originated by the proprietor of Elizabeth Bay cannot be
doubted. He was the first to show how these hillocks of rock and sand
might be rendered tributary to the taste and advantage of civilized man.
As to the estate of Elizabeth Bay, noone can form an adequate judgement of
the taste, labour and capital that have been bestowed upon it. A spacious
garden, filled with almost every variety of vegetable; a trelliced vinery;
a flower garden, rich in botanical curiosities, refreshed with ponds of
pure water and overlooked by fanciful grottoes; a maze of gravel walks
winding around the rugged hills in every direction, and affording
sometimes an umbrageous solitude, sometimes a sylvan coup d'oeil, and
sometimes a bold view of the spreading bays and distant headlands - these
are living proofs that its honorable proprietor well deserved the boon,
and has well repaid it." (Carlin/HHT, 2000).
As with the design of the house, the design of the estate appears to have
involved a number of people whose respective contributions are not known.
Fanny Macleay regarded her father as the mastermind, referring to
Elizabeth Bay as "our Tillbuster the second", a reference to the
Macleay family's country estate in Godstone, Surrey, which Alexander had
improved in 1817. In September 1826 she promised her brother a plan of the
recently acquired grant "when Papa has decided where our house is to
be and the garden etc". Although Nurseryman Thomas Shepherd had
practised as a landscape gardener many years previously in England and his
1835 (public) lecture (in Sydney) included suggestions for the further
improvement of the Elizabeth Bay estate, he does not claim credit for
involvement, however informal, in its design. It may be that Macleay
considered his views old-fashioned.
In 1825 Robert Henderson had been recruited at the Cape of Good Hope by
Alexander Macleay. Henderson's obituary records that he superintended the
laying out of the gardens of Elizabeth Bay and Brownlow Hill. In February
1829 Fanny wrote "we have now some beautiful walks thro' the bush. Mr
(Edward) Deas-Thompson who is possessed of an infinity of good taste is
the Engineer and takes an astonishing degree of interest in the
improvement of the place."
John Verge's office ledger contains many references to the design of
garden structures, including gates and piers and copings and "scroll
ends" for garden walls. The entries are dated between April and
November 1833. A design for a bathing house (not built) dated 1834 and
initialled "R.R.", may be attributed to the architect and
surveyor, Robert Russell (1808-1900) who arrived in Sydney in that year.
Macleay's approach to the Australian bush was in contrast with that of the
majority of colonists, who customarily cleared it and started afresh.
Nurseryman Thomas Shepherd wished others to emulate this:
"The high lands and slopes of this property are composed of rocks,
richly ornamented with beautiful indigenous trees and shrubs. From the
first commencement he (Macleay) never suffered a tree of any kind to be
destroyed, until he saw distinctly the necessity for doing so. He thus
retained the advantage of embellishment from his native trees, and
harmonised them with foreign trees now growing. He has also obtained the
benefit of a standing plantation which it might otherwise have taken
twenty or thirty years to bring to maturity."
The bush was planted with specimen orchids and ferns to enhance its
botanical interest, which could be enjoyed in the course of a "wood
walk". Two surviving notebooks (Plants received, c1826-1840, and
Seeds received, 1836-1857) list the sources of plants for the garden and
illustrate a comprehensive approach to plant collecting, similar in their
approach to entomology. The plant and seed books contain entries for
purchases from nurserymen Merrrs Loddiges of Hackney, London, and
exchanges with William Macarthur of Camden Park. They also record the
plants contributed by visitors to the estate and by William Sharp
Macleay's natural history collectors in India.
Alexander Macleay had a great passion for bulbous plants, particularly
those from the Cape of Good Hope. The explorer Charles Sturt, contributed
many bulbs collected on his journey to South Australia in 1838, having
been presented with four bulbs of Calostemma album from the Royal Botanic
Gardens at Kew during his visit to Elizabeth Bay in February 1831. Bulbs
featured in the large collection of plants which William Sharp Macleay
brought with him to Australia in 1839. 88 varieties of bulbs were
forwarded to him in 1839-40 by his scientific correspondent, Dr Nathaniel
Wallich, Superintendent of the botanical garden in Calcutta.
Macleay's garden was also noted for its fruit trees. In 1835, Charles Von
Hugel noted "pawpaw, guava and many plants from India were
flourishing". Georgianna Lowe (of Bronte House) described the
shrubbery and adjacent garden, in 1842-3 commenting on the wealth of fruit
trees and other plants assimilated into a Sydney garden:
"Mr Macleay took us through the grounds; they were along the side of
the water. In this garden are the plants of every climate - flowers and
trees from Rio, the West Indies, the East Indies, China and even England.
And unless you could see them, you would not believe how beautiful the
roses are here. The orange trees, lemons, citrons, guavas are immense, and
the pomegranate is now in full flower. Mr Macleay also has an immense
collection from New Zealand."
Many visitors commented on Macleay's achievement in creating a garden in
Sydney conditions. Georgianna Lowe described "some drawbacks to this
lovely garden: it is too dry, and the plants grow out of a white, sandy
soil. I must admit a few English showers would improve it." (Carlin/HHT,
2000).
Plans for the villa were in hand from 1832 but construction did not
commence until 1835. Elizabeth Bay House was built between 1835 and 1839
by the accomplished architect and builder John Verge. It is believed that
Verge worked from plans acquired from a British source prior to 1832.
Macleay, in addition to his post, was an entomologist of standing in the
world of natural science and had been secretary (1798-1825) of the
prestigious Linnean Society in London. He brought with him his huge insect
collection, a library of 4000 works and a wide knowledge of horticulture
and botany.
The internal design of Elizabeth Bay House was loosely modelled on Henry
Hollands Carlton House built c1820 for the Prince Regent in London.
Macleay could not afford the intended encircling colonnade.
The house's architectural significance rests largely with its interior,
owing to its state of incompletion. A planned encircling colonnade was not
built. It is possible that Macleay's son William Sharp, after his
examination of his father's finances upon joining the family in Sydney in
1839, called for a halt to the building of the house.
When the house was finished in 1839 it was occupied by Alexander, his wife
Eliza, their unmarried daughter Kennethina, unmarried son William Sharp,
the Macleay's nephews William and John and two Onslow grandchildren. Their
five other daughters had married. At the same time wool prices dropped and
transportation ended in 1840 and the colony was plunged into depression.
Macleay was already in debt. The depression, these debts, the capital he
had outlayed on the house and garden, the expenses of his various country
properties and the loss of his large official salary brought about bu
early retirement meant that by the early 1840s he was in financial
difficulties.
The garden became known internationally through the letters and published
accounts of local naturalists and visiting scientific expeditions:
" the drive to the house is cut through rocks covered with splendid
wild shrubs and flowers of this country, and here and there an immense
primeval tree… In this garden are the plants of every climate - flowers
and trees from Rio, the West Indies, and even England. The bulbs from the
Cape (of Good Hope) are splendid - you would not believe how beautiful the
roses are here - Mr Macleay has also an immense collection from New
Zealand."
Botanist Joseph Hooker (Director of the Royal Botanic Gardens, Kew,
1865-85) described the garden in 1841 as "a botanist's paradise My
surprise was unbounded at the natural beauties of the spot, the inimitable
taste with which the grounds were laid out and the number and rarity of
the plants which were collected together." Macleay corresponded with
and sent indigenous plant specimens to Kew, donated exotic plants to the
Sydney Botanic Gardens, supplied trees to nurseryman Thomas Shepherd,
exchanged plants with William Macarthur at Camden Park, encouraged local
naturalists, and promoted exploration. As a member of numerous public and
charitable committees, he exerted considerable influence in the
establishment of the Australian Museum, the Australian Subscription
Library, and more particularly on policy at the Botanic Gardens.
Alexander Macleay, who had served diligently as Colonial Secretary, was
ousted from office by Governor Bourke in 1837. The loss of salary
contributed to his financial problems: British debts were unpaid;
mortgages that had funded the lavish expenditure on both Elizabeth Bay
House and Brownlow Hill, his country house near Camden, were due: pastoral
ventures failed in the 1840s depression. (Hughes, 2002)
An attempt was made to subdivide the land in 1841 but the blocks did not
sell. While others were forced to declare bankruptcy, Macleay was saved by
his eldest son William Sharp Macleay, also Alexander Macleay's largest
creditor. In 1845 W.S.Macleay insisted his family move out of the house
and then took it over the payment of the debts himself. Macleay's library
and the drawing room furniture were sold to pay creditors. William Sharp
Macleay (1792-1865), public servant, scholar and naturalist, and eldest
son, inherited his father's insect collection, and stayed at the house
until his death in 1865. Alexander and Eliza moved, bitterly, to Brownlow
Hill. He was elected Speaker of the Legislative Council (1843-46). Injured
in a carriage accident in 1846, and still suffering the effects, he died
at Tivoli, Rose Bay, the home of one of his daughters. George Macleay
(1809-1891) pastoralist and explorer and third surviving son, inherited
his father's debts.
Two contrasting personalities, William, a Cambridge classical scholar,
controversial pre-Darwinian theorist, author and contributor to leading
scientific journals, and recluse: and George, a pragmatist, and
subsequently a peripatetic bon vivant; the brothers, individually and
jointly, contributed to NSW's scientific and horticultural advancement.
Both were involved with the Botanic Gardens, Australian Museum and,
beginning with their father, maintained an unbroken connection with the
Linnean Society of London (1794-1891).
William arrived in 1839 in NSW with important collections of insects from
South America (on which he published) and from Cuba where he was posted by
the British Government (1825-36), as well as a large collection of plants.
At Elizabeth Bay, two notebooks of plants and seeds exchanged, imported or
desired for its garden, which he compiled with his father, reflect the
extent of their horticultural pursuits and provide vital records of this
outstanding colonial garden. William was a corresponding member of the
Royal Botanic Society of London. During his residency at Elizabeth Bay -
with the family from 1839 and alone from 1845 - the house continued as a
favoured location for local and visiting scientists and Sydney's
intellectual circle. William Sharp Macleay died unmarried, leaving the
estate to George and the insect collection to his cousin William John
Macleay (Hughes, 2002).
Visiting esteemed English nurseryman John Gould Veitch describes in an
1864 journal entry, Elizabeth Bay House's garden as one of "few
private gardens in Sydney where gardening is carried on with any spirit.
Those of Mr Thomas Mort, of Darling Point, the late Mr William Macleay of
Elizabeth Bay and Sir Daniel Cooper of Rose Bay, formerly contained good
collections of native and imported plants, but now they are no longer kept
up." (Morris, 1994)
After William Sharp's death in 1865 George Macleay inherited the estate
(he had moved to England after 1859, when the trustees had been able to
settle the estate. A keen zoologist, George had donated specimens to his
brother and to the Australian Museum; he presented the papers of his
father and his brother William Sharp to the Linnean Society of London and
through Charles Nicholson, Greek statuary to the University of Sydney.
George progressively subdivided the estate and sold leaseholds of a
substantial portion and leased the house to his cousin William John
Macleay and his wife Susan.
William John (1820-1891) pastoralist, politician, patron of science, and
nephew of Alexander, was born in Wick, came to NSW with his cousin William
Sharp Macleay in 1839, and became a squatter with extensive pastoral runs
in the Murrumbidgee whose profits would ultimately fund the scientific
interests engendered by his uncle and cousins. He was a member of the
Legislative Assembly (1856-74), a trustee of the Australian Museum
(1861-77), and in 1862 helped found the Entomological Society of NSW. In
1865 he inherited the insect collections of Alexander and W S Macleay and
leased Elizabeth Bay House, living there with his wife Susan. William
John, like the Macleays who had lived in the house before him, was an
ardent collector, sponsoring collecting expeditions including that of the
"Chevert" to New Guinea in 1875, and broadening the collection
from insects and marine invertebrates to encompass all branches of the
natural sciences (such as birds and reptiles). Encouraging the study of
botany, he was the first president of the Linnean Society of NSW (1874).
The Linnean Society of NSW presented the Macleay's early plant and seed
books to the Mitchell Library, State Library of NSW. (Hughes, 2002)
By 1875 the Macleay family collections at the house were now so large that
William John had a curator George Masters appointed to look after the
collection. In 1889 the collections were presented to the Macleay Museum
at the University of Sydney, where the government built a musuem (1886-88)
to which the collections were transferred, together with some original
collector's cabinets, library, Macleay papers, and an endowment for a
curator (this remains as the Macleay Museum).
W J Macleay was knighted in 1889 and died in 1891, leaving substantial
bequests to various institutions including the University of Sydney and
the Linnean Society of NSW. His wife stayed there until her death in 1903.
The couple had no children.
After the death of George Macleay in 1891, under the terms of William
Sharp Macleay's will, the house was passed from their nephew Arthur
Alexander Walton Onslow who had died, to his eldest son James Macarthur
Onslow of Camden Park. By this time the 22 hectare estate had shrunk to
7.5 hectares through successive subdivisions.
In 1927 the remainder of the land around the house was sold. In this final
division the kitchen wing at the rear of the house was demolished to allow
an access road for allotments behind the house.
By 1934 the house and eleven lots remained unsold due to the depression.
Artists squatted in the house until 1935 when it was purchased, renovated
and refurbished as a reception house. Five years later the house was again
altered to accomodate fifteen flats.
In 1963 the Cumberland County Council purchased Elizabeth Bay House and
essential repairs were carried out. The State Planning Auhority assumed
control in 1972 and it was decided to restore the house as an official
residence for the Lord Mayor. A change of government signalled a change in
policy and a decision that the house become a public museum. It was put in
the care of a Trust before coming under ownership of the Historic Houses
Trust of NSW in 1981.
Special thanks to http://www.heritage.nsw.gov.au/
|